I. YAKOVLEV CHUVASH STATE PEDAGOGICAL UNIVERSITY BULLETIN

song poetry, rock-poetry, subjective organization, verbal subtext, lyrical hero, author, narrative, dialogue of narratives, discourse, creative experience, semantic shift

The article is devoted to a comprehensive theoretical and methodological assessment of the mechanisms of meaning generation in modern Russian song poetry. The relevance of the research is determined by the need to comprehend the transformation of the author’s intersubjective figure and the crisis of traditional meta-narratives about creativity in the polycode “body” of the song. The material of the analysis is the verbal subtext of A. Ilyin’s songwriting, which is considered in the focus of the problem of rethinking the subject-object narratives of creative experience. The methodology of the analysis is based on the synthesis of system-subjective and structural-semiotic methods, a narratological approach, the theory of visual narrative, as well as concepts that take into account the polycode nature of song poetry. The article identifies and describes the conflict between the obvious narrative (a set of traditional creative discourses actualized in line with the pathos of overcoming) and the non-obvious narrative (a latent text of an existential nature, transmitted by the subject of consciousness and speech in the context of expressive modes of artistry and oxymoronic complexes). The analysis focuses on the forms of interaction between different narratives, at the point of tension of which a semantic shift of key concepts occurs (“horizon”, “zero”, “eternity”) and a “third”, ambivalent meaning is born. The horizon of (co)being turns into a symbol of the chronotopic limit of the existence of the lyrical “I”, the square zero marks the space-time point of semantic transformation, from which a new beingness-otherworldly countdown is possible. It is established that A. Ilyin’s poetic system functions as a polycode subject-image platform for reconsidering the “languages” of creative (self-)knowledge. It is argued that the dialogue between the obvious and the non-obvious in the song lyrics of the rock band Lomonosov’s Plan is determined by the philosophical and aesthetic crisis of the modern interpretation of the creative act.

Loktevich, Ekaterina Vyacheslavovna – Candidate of Philology, Associate Professor of the Department of Literary and Artistic Criticism, Belarusian State University, Minsk, Republic of Belarus, https://orcid.org/0000-0001-8357-9019, lichorad.kat@mail.ru