| Keywords: | genre, line of lyrical reflection, genre marker, mnemonic poetry, Russian literature, artwork
|
| Abstracts: | Today, the object of research in genre studies must meet the requirements of scientific depth, representativeness and inclusiveness in terms of the use of artistic material and research methods. The line of lyrical reflection (hereinafter referred to as LLR), meeting these criteria, is a vector of lyrical utterance, defined by the genomic (related to the genre archetype) semantic and semiotic attitudes of world perception contained in it, ensuring the constant vital stability of the genre to changes in which it remains “always the one and the wrong, is always both new and old at the same time..” [6, p. 141-142]. The relevance of the research is determined by the high degree of demand for LLR for the study of literary genre systems and the internal structure of the genre. The purpose of this work is to study the phenomenon of LLR, which is an indicator of genre differentiation within the structure of mnemonic (memory-themed) poetry. The research involved materials from the genres of Russian mnemonic poetry (elegy, ode, “memoir”, poetic “monument”, genetliacon, poem “To death ...”). It used analytical, comparative-typological, structural-typological methods, and the method of theoretical generalization of the material.
In the course of the study of genres of mnemonic poetry in the Russian literature, it turns out that the LLR of the genre, being a component connecting the genre archetype and its referents, embodied in images of the inner world of the work, depending on the spatial intention, corresponds to it, the genre of this lyrical system, belonging to one of the tiers (“upper” and “lower”) of the vertical ontological structure of the universe (Cosmos), correlated in literary terms with the “odic” and “elegiac” spheres.
Thus, LLR acts as a marker of differentiation of genres of mnemonic poetry into two subsystems, which allows us to see it as one of the main indicators of the organization of the genre system of lyrics, for the understanding of which, along with the unifying factor, the disintegration factor is important.
|
| The contact details of authors: | Zhilyakov, Sergey Viktorovich – Candidate of Philology, Associate Professor of the Department of Philology, Stary Oskol Branch of Belgorod National Research University, Stary Oskol, Russia, https://orcid.org/0000-0002-5875-4134, szhil@list.ru
|
